Category “Music”

Manchester Orchestra @ Variety Playhouse 4.14.2010

Wednesday, 21 April, 2010

Andy Hull and his comrades are some of my favorite musicians to go see play. Listening to Manchester Orchestra  in front of their hometown crowd is always an enjoyable experience. They played back to back shows last Wednesday and Thursday at Variety Playhouse in Little Five Points, and opened with Neil Young’s “Unknown Legend”. But I couldn’t resist posting this video instead; a song for his good friend 50 Cent.

My friend David shared his thoughts on the evening. And although he’s not a poet, it’s worth the read nonetheless: http://davidhuey.posterous.com/manchester-orchestra-at-variety-playhouse

I want us all to be there

Monday, 15 February, 2010

I listen to Jonsi playing piano in the background. He’s there singing for anyone who is willing to listen.  I’m chatting with a friend like decent media abiding citizens. She’s there. I think about the folks I met half way around the whole this past summer; young, energetic, and Chinese and there.

In a world so easily attainable, we grasp for connectivity as if we never had it. Send one more text and you will feel better. Right? Email one more idea and put it on the calendar. Grab one more beer and you’ll be satisfied. I remember playing four-square in elementary school. Chalk on the sidewalk. Those were the days. Simple, goal-oriented interactions. Why don’t I Facebook all of the third-graders I shared recess with? Well, that’d ruin it.

It saddens my heart that when I’m in certain circles, people flinch when I say community. The phrase apparently has been overused and over-attempted. It’s like a misunderstood curse word. Yet under-done. They’re missing it. The lab partner, the co-worker, the sister-in-law. The cab driver, the pastor, the professor.

Jonsi’s never going to play music in my living room. He’s never going to cry on my shoulder in the rain. The boys and girls from third-grade are scattered about, filling jobs, to pay the bills, to repeat the renewed cycle yet again. Those men and women from back then don’t yearn to know who I am. They aren’t here to comprehend Community.

But you are.

I want us all here, wrapped up in a creative bubble that doesn’t burst until she’s ready. It’s a thousand kisses passed out to the masses and retreated back in. The reality is, we’re all in the same bubble. You are running off to save lives, to sink in the syringe. You are writing the songs, pouring the drinks, pulling the shots. You are in my living room sharing your stories.  We all want to listen.

The Real Top 50 Albums of the Last Decade

Thursday, 31 December, 2009

After some time off, I return in order to present to you the objective list for the Top 50 Albums of the Last Decade. Paste, Pitchfork and NPR were on to something, but have ultimately fallen short. Through a well thought out systematic approach, these five indicators of originality, diversity, sound, lyrics and finally heart, helped to mold this perfect representation of musical greatness. This music has carried me through high school, college, Bush and breakups. These are the albums I have come to love. Thoughts and opinions are welcome…

50 Clap Your Hands Say Yeah [2005]
49 Alexi Murdoch: Time Without Consequence [2006]
48 A Fine Frenzy: One Cell in the Sea [2007]
47 Conor Oberst [2008]
46 The Strokes: Room On Fire [2003]
45 Snow Patrol: Final Straw [2003]
44 Sea Wolf: White Water, White Bloom [2009]
43 Shane and Shane: Psalms [2002]
42 John Mayer: Room for Squares [2001]
41 The All American Rejects [2003]
40 Sigur Ros: Takk… [2005]
39 Jack Johnson: In Between Dreams [2005]
38 Evan and Jaron [2000]
37 Aaron Espe: My Whole Life [2005]
36 Patty Griffin: 1000 Kisses [2002]
35 Coldplay: X and Y [2005]
34 Death Cab For Cutie: The Photo Album [2001]
33 Joshua James: The Sun is Always Brighter [2008]
32 Arcade Fire: Neon Bible [2007]
31 Straylight Run [2004]
30 Sea Wolf: Leaves in the River [2007]
29 Bright Eyes: Cassadaga [2007]
28 Caedmon’s Call: Long Line of Leavers [2000]
27 Mae: The Everglow [2005]
26 Mewithoutyou: Brother, Sister [2006]
25 The Everybodyfields: Nothing is Okay [2007]
24 The Killers: Hot Fuss [2004]
23 Death Cab For Cutie: Plans [2005]
22 Band of Horses: Cease to Begin [2007]
21 The Decemberists: Picaresque [2005]
20 Page France: Hello, Dear Wind [2005]
19 Eisley: Room Noises [2005]
18 Derek Webb: She Must and Shall Go Free [2003]
17 Bon Iver: For Emma, Forever Ago [2008]
16 The Postal Service: Give Up [2003]
15 Jimmy Eat World: Bleed America [2001]
14 Copeland: Beneath Medicine Tree [2003]
13 Blind Pilot: 3 Rounds and a Sound [2008]
12 Arcade Fire: Funeral [2004]
11 Damien Rice: O [2003]
10 Bright Eyes: I’m Wide Awake It’s Morning [2005]
9 Sufjan Stevens: Illinois [2005]
8 Death Cab For Cutie: Transatlanticism [2003]
7 Ryan Adams: Heartbreaker [2000]
6 The Swell Season [2006]
5 Shout Out Louds: Our Ill Wills [2007]
4 Dashboard Confessional: The Places That You Have Come to Fear the Most [2001]
3 Manchester Orchestra: I’m Like a Virgin Losing a Child [2006]
2 The Decemberists: The Hazards of Love [2009]
1 Sufjan Stevens: Seven Swans [2004]

One Red Thread; or Autumn Part III

Thursday, 5 November, 2009

A friend of mine spent some time as a music critic in his earlier writing career. It’s tough, he says, when you have to think of people in that sort of light. For that I don’t want to be a music critic at this point. Instead, I’m just going to stick to writing about musicians I enjoy. A few months ago I tried to display in so many words how absolutely wonderful The Decemberists are, especially after seeing them perform at the Tabernacle. Maybe you remember that I mentioned Blind Pilot as their opening act, a pleasant appetizer at the time.

But Wednesday night was something else. They took center stage at the East Atlanta Restaurant and Lounge with a sold-out crowd. Since their bike tour around the country in 2007, they have added to their numbers and came out with a full-length album. “3 Rounds and a Sound” has been a substantial and consistent gem in my collection since January. To see them up close and personal is a different matter. They were absolutely phenomenal as soon as they stepped foot on stage. Their six piece ensemble with horns, glockenspiel, upright bass and banjo, among others created a sound similar to The Shins meets Iron and Wine. Led by singer, Israel, they were more than one could ask for. Inspiration grew inside me with each new melody, and their love of life and music only added to it.

For a single man in his mid-twenties and out of a job, it’s tough to be inspired lately. But Blind Pilot took hold of me and resonated with my soul. I had to keep back my cheesy smile and catch myself before anyone else began wondering what might be wrong with me. These folks from Portland understand a bit about life and our need to own up to its realities. From “The Bitter End” to “We Are The Tide” you grasp a sense of unity in their voices, like we’re all in this together…”We’re standing in the streets, staring at the blood red moon, we are the tide, we are the tide.” Their songs are mini-anthems of hope, reminding the listeners to hang on together.

It’s odd sometimes how affected we can be by music and the changing of seasons. As you may have gathered, I’ve been soaking up Fall and spreading her for anyone to grab a hold of. She has a special sound, unique and different to any other time of year. I’ll have you know, Blind Pilot is an Autumn band through and through. Maybe you think I’m crazy, but they have sucked in this season with all their being. And they’re pouring it out in every strum, pushing it out with all their lungs to get you to understand. For they see life as it is, a healthy recognition of time in transition, with the weight of the world upon them. And Blind Pilot’s not afraid to hang on for the ride…  “I had the itch to fly and I flew, now at best we would make our dreams with something used.”

See, Autumn is about truth, about slowing down enough to grasp beauty. It’s about admitting where we’re at and sticking to it; changing when we need to change, moving when we need to move, heading towards a place called home, where one day we’ll be. And Blind Pilot knows that, sees that, plays and sings that.

What a better chorus to end on then…”The only line that is true is the line your from.”

The Hazards of Love

Thursday, 4 June, 2009
I find it strange that people, including myself, have a tendency to not appreciate something because everyone else does. You know what I’m talking about. Those phases have probably been a bit more drastic at different points in life. I admit, I can remember always being one of those people, where part of me wants to share in something with a group, and if everyone else gets in on it, well, then it’s not so much a special entity anymore. I’ve felt that way about clothes at times, or music. And I imagine if enough folks start wearing Ray-Bans, I’ll have to go find a new pair of spectacles. I remember when being “four-eyed” wasn’t cool. Humbling days.

We’re living in a post-modern age, as they say. Therefore, trying to be unique and different is hard to come by. An artist has to recreate out of something else that has probably already been done before. And to be broad and abstract, if I may, this is what everyone has always done and will always do, recreate that is. The creating’s already been initiated.
And that’s what last night was. Colin Meloy is that sort of artist and he did a bit of recreating. His latest album with The Decemberists, The Hazard’s of Love, was performed from start to finish at The Tabernacle downtown with opening act Blind Pilot. The concept album has been done before (My dad once reminded me that Frank Sinatra was one of the first). I sense the cynicism. I get it. I know that what I experienced in the reinvented British-style rock ballads, millions of music fans have appreciated for decades. But nobody seems to be complaining about sex and the constant reinventing of that sort of art form. These choruses had little to do with lustful desires.

decmpic1

Colin Meloy and his comrades(including Shara Worden of My Brightest Diamond) are up to something. And their musical performance wooed the sold-out audience like I imagine they’ve done in many cities. The Decemberists aren’t just playing music. They’re drawing us into a hopeful love story, of desire and revenge. They’re bringing life, dress-ed up and sweaty, wagering all the hazards of love. And they weren’t so much interested in what’s wrong with the world, but did their playful, romantic part in making it right. I felt like I was faced with crossing the river just like the protaganist, William, after his fancy, Margarette. They see it, the ancients always called us back to the river (Siddhartha, Jesus, etc.) Thank you for asking me to join.
And they didn’t even stop after the finish, but came back out for a full set of their usual material.  Meloy’s crowd interactive, improve conclusion was a rendition of how the railroad made its way to Atlanta. What? Where are the musicians that enjoy life enough to live, and to bring it to life for all of us? The Decemberists couldn’t love what they do more. And that is a beautiful rarity.
I only wish I could ask them one thing. Because it’s sad that the lovers die in the river (sorry if you didn’t know that yet). Mr. Meloy, do they really die in the river? Is their something to look forward to, a sequel, a little death bringing life? I hope so, because the hazards of love can’t be worth the risk if we’re all gonna drown in the river.